Videos

Keynotes

The 60 years leading to Csound 6.09

Victor Lazzarini
1080 – 720 – 450

Don Quijote, the Island and the Golden Age
Some Experiences and Dimensions of Working "Open Source" and "Free"

Joachim Heintz
1080 – 720 – 450

The ATS technique in Csound: theoretical background, present state and prospective

Oscar Pablo Di Liscia
1080 – 720 – 450

Csound — the Swiss Army Synthesiser

Iain McCurdy
1080 – 720 – 450

How and Why I Use Csound Today

Steven Yi
1080 – 720 – 450

Oral sessions

Working with pch2csd — Clavia NM G2 to Csound Converter

Gleb Rogozinsky, Eugene Cherny and Michael Chesnokov
1080 – 720 – 450

Daria: A New Framework for Composing, Rehearsing and Performing Mixed Media Music

Guillermo Senna and Juan Nava Aroza
1080 – 720 – 450

Interactive Csound Coding with Emacs

Hlödver Sigurdsson
1080 – 720 – 450

Vim tools for Coding and Live Coding in Csound

Luis Jure – Steven Yi
1080 – 720 – 450

Chunking: A new Approach to Algorithmic Composition of Rhythm and Metre for Csound

Georg Boenn
1080 – 720 – 450

Interactive Visual Music with Csound and HTML5

Michael Gogins
1080 – 720 – 450

Spectral and 3D spatial granular synthesis in Csound

Oscar Pablo Di Liscia
1080 – 720 – 450

Integrated Tools for Sound Spatialization in Csound

Luis Jure and Martín Rocamora
1080 – 720 – 450

Performances

Joachim Heintz

Violoncello: Lucrecia Basaldúa
1080 – 720 – 450

Iain McCurdy

1080 – 720 – 450

Michael Gogins

1080 – 720 – 450